Browse Items (64 total)

  • Tags: cultural tradition

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Performing the tradition of "los vejigantes de Puerto Rico" with the delegation from Loíza at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bombera playing the "barril de bomba" and singing chorus with Segunda Quimbamba.

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Singers in the delegation from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Jariksa Valle Feliciano sings the lead while playing maraca at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Singers representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Segunda Quimbamba performing at the Perth Amboy Ferry Slip on September 14, 2019. Segunda Quimbamba is a Jersey City-based percussion and dance ensemble that performs authentic Bomba and Plena, musical traditions from the island of Puerto Rico.…

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The Raíces Folkloric Ensemble performing the genre of Cuban són at a concert dedicated to the music of the Caribbean at the Reformed Church of Highland Park.

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The Raíces Folkloric Ensemble performing songs for the Orishas on the batá drums at the Reformed Church of Highland Park.

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Members of the Raíces Folkloric Ensemble in 2017 after a performance at the Reformed Church of Highland Park.

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Even outside of the bombazo circle, participants at the 5th Encuentro de Tambores were inspired to dance, sing and celebrate their cultural traditions and heritage.

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Plenera playing a pandero and singing a plena with Segunda Quimbamba.

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Drummer playing the primo, or lead drum, which interprets the moves of the dancer in sound.

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In bomba, the lead drum and lead drummer mark the movements made by the dancer, called "piquetes" or "picoteos".

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Drummer playing cuá with the group representing the town of Aguada at the 5th Encuentro de Tambores.

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Piquetes, or picoteos, are movements made by the bomba dancer before the drum. These movements challenge the drummer who must respond to the piquetes with the sounds of the drum, matching the pattern being played to the movements made by the dancer.

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Bomba dancer execuing picoteos, or piquetes, before the lead drum. The motion of the skirts add to the grace, style and movement of the bomba dance.

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Children are encouraged to participate in bombazos from a young age, from the drum to the dance to the song. This child is playing the cuá which accompanies the barriles de bomba in the rhythms.

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Don Miguel Flores Lopez, a bomba dancer of over 75 years at the time of this photograph.

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A member of the group representing Aguada in the 5th Encuentro de Tambores takes time to teach Raíces co-founder and ensemble member Nicole Wines the pattern he plays to accompany the bomba strains. Each town and group has their own variations of…
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