Browse Items (362 total)

  • Tags: culture

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In the fall of 2011, Raíces Cultural Center began an oral history project called "Testimonials for the Ancestors", collecting video interviews from community members willing to share their stories and histories about how they remember, honor and…

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In the fall of 2011, Raíces Cultural Center began an oral history project called "Testimonials for the Ancestors", collecting video interviews from community members willing to share their stories and histories about how they remember, honor and…

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The Puerto Rican cuatro is unofficially known as the national instrument of Puerto Rico. It is used to play the traditional jíbaro music of the mountains of Puerto Rico.

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Professora Amazonas instructs the students in her children’s capoeira class before beginning training.

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Playing in the roda provides capoeiristas and students of capoeira to practice and apply the skills they learn while training and in classes and workshops, but also provide a hands-on opportunity to learn more. Here is an example of students helping…

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Sculpture of a woman dancing bomba overlooking a working station in artist Samuel Lind’s home art studio in Loíza Aldea.

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The dobrão is a thick stone or coin used to play the berimbau. It is used to change the tension on the arame or string, in order to change the pitch and quality of the sound being played. The dobrão can also be called pedra (stone) or moeda (coin).

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Professora Amazonas working one-on-one with a young student, preparing to spot him on a handstand.

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Professora Amazonas sharing and practicing the songs of capoeira with her adult classes.

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Professora Amazonas foretelling the closing of the roda through song.

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This former school building which is immediately next door to Casa Pueblo’s main building has been converted into a solar powered cinema for the community of Adjuntas. It is also used as classroom and meeting space and for presentations and…

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Professora Amazonas of Grupo Liberdade de Capoeira sharing songs of capoeira with Raíces Director Francisco G. Gómez.

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Members of Grupo Liberdade de Capoeira practice the songs of capoeira.

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Singers in the delegation from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Jariksa Valle Feliciano sings the lead while playing maraca at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Singers representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Sign for the Artesanías Castor Ayala in January 2018, 4 months after Hurricane María. Culture persists.

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Panelists in the discussion about witnessing historic bomba of the early 20th century shared their stories and experiences, some passed down from their own ancestors with the participants of the 5th Bomba Research Conference.

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PROPA founder and 5th Bomba Research Conference organizer Melanie Maldonado with Doña Ana Rodríguez and Doña Carmen Cora, panelists who shared eyewitness accounts and stories from historic bomba of the mid-early 20th Century.

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Doña Ana Rodríguez, a member of the "Panel of Eyewitnesses and Descendants of Historic Bomba" shares a song with the participants of the 5th Bomba Research Conference.

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Doña Ana Rodríguez, a member of the "Panel de Testigos Oculares & Descendientes de la Bomba Antigua" shares a song with the participants of the 5th Bomba Research Conference.

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Segunda Quimbamba performing at the Perth Amboy Ferry Slip on September 14, 2019. Segunda Quimbamba is a Jersey City-based percussion and dance ensemble that performs authentic Bomba and Plena, musical traditions from the island of Puerto Rico.…

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Close up of a sculpture in progress depicting the legendary Puerto Rican singer and composer Ismael Rivera also known as "Maelo" and "el sonero mayor"
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