Browse Items (167 total)

  • Tags: bomba

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Melissa Hernández Romero, attorney, dancing bomba in Old San Juan. In bomba, the dancer and the lead drummer hold a conversation through music and dance, with the lead drum (or primo) responding to the movements (piquetes or picoteos) of the dancer.

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Performing with Segunda Quimbamba at the Perth Amboy Ferry Slip.

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Nanette Hernandez, cofounder and member of Segunda Quimbamba, performing at the Perth Amboy Ferry Slip as part of the Perth Amboy Artworks summer music series.

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Group of women playing barilles de bomba at the 5th Encuentro de Tambores in Puerto Rico. Drumming is often associated with male musicians, especially on a performance basis, but this is changing in modern society, as seen at this "Meeting of the…

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Bomberas Melanie Maldonado and Kelly Archbold preparing to sing with the delegation from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Unknown drummer on the beach at night in San Juan, Puerto Rico playing the barril “bomba drum”.

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Playing the bomba drums at the 5th Encuentro de Tambores, surrounded by hundreds of participants in the town plaza in Juncos.

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Singers and lead drummers of the bomba group representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico posing for a photograph before they begin to play.

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Citizen of Loíza Aldea dressed as a “caballero” on the day of Santiago apostol. The caballero is a popular character seen during the festival of Santiago apostal.

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Calle Ismael Rivera, also called Calle Calma, where the legenday singer and composer Ismael Rivera grew up.

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Chair of Doña Margot, full name Margarita Rivera García, on display at Fundación Ismael Rivera. Doña Margot was the mother of Ismael Rivera. A full biography of Doña Margot is available in spanish at: https://prpop.org/biografias/dona-margot/

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Bomba Research Conference founder and organizer Melanie Maldonado exhibits some of the petticoats worn by Doña Luz María Rosada Villodas, a bombera from a historic family in Guayama, and talks about the older styles of dress worn in the period being…

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Don Miguel Flores Lopez dancing in the old style of bomba dance from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico in 2013.

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Singers in the group representing Aguada at the 5th Encuentro de Tambores singing the coro, or chorus, of the song being performed.

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The cuá is an instrument that accompanies the barriles de bomba. The cuá is actually the sticks used to play on either a barrel or chunk of bamboo and helps keep the basic rhythm of the bomba strains.

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The Raíces Folkloric Ensemble performs the Puerto Rican folkloric tradition of bomba in a concert dedicated to folkloric music of the Caribbean.

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Raíces co-founder and Archive Curator Nicole Wines with Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera.

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Don Miguel Flores Lopez and Melanie Maldonado dancing before the drum in the plaza of Juncos, Puerto Rico at the 5th Encuentro de Tambores.

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Don Miguel Flores Lopez was a bomba dancer from Guayama, and was the last dancer to preserve and share the old style bomba dance from his town, having danced bomba for over 75 years.

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Demonstrating the bomba tradition, where the dancer's movements are responded to by the lead drummer, who plays the sounds of the dancer's movements.
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