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Bombazo at the 5th BRC
Backyard bombazo in Carolina, Puerto Rico on the first night of the 5th Bomba Research Conference.
Bombazo in San Juan
Melissa Hernández Romero, attorney, dancing bomba in Old San Juan. In bomba, the dancer and the lead drummer hold a conversation through music and dance, with the lead drum (or primo) responding to the movements (piquetes or picoteos) of the dancer.
Bombera
Performing with Segunda Quimbamba at the Perth Amboy Ferry Slip.
Bombera
Bombera performing with Segunda Quimbamba in Perth Amboy, NJ.
Bombera - Nanette Hernandez
Nanette Hernandez, cofounder and member of Segunda Quimbamba, performing at the Perth Amboy Ferry Slip as part of the Perth Amboy Artworks summer music series.
Bomberas
Group of women playing barilles de bomba at the 5th Encuentro de Tambores in Puerto Rico. Drumming is often associated with male musicians, especially on a performance basis, but this is changing in modern society, as seen at this "Meeting of the…
Bomberas
Bomberas Melanie Maldonado and Kelly Archbold preparing to sing with the delegation from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico.
Bombero
Unknown drummer on the beach at night in San Juan, Puerto Rico playing the barril “bomba drum”.
Bomberos
Drummers playing bomba at the 5th Encuentro de Tambores.
Bomberos
Playing the bomba drums at the 5th Encuentro de Tambores, surrounded by hundreds of participants in the town plaza in Juncos.
Bomberos from Aguada
Singers and lead drummers of the bomba group representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico posing for a photograph before they begin to play.
Caballero
Citizen of Loíza Aldea dressed as a “caballero” on the day of Santiago apostol. The caballero is a popular character seen during the festival of Santiago apostal.
Calle Ismael Rivera
Calle Ismael Rivera, also called Calle Calma, where the legenday singer and composer Ismael Rivera grew up.
Chair of Doña Margot
Chair of Doña Margot, full name Margarita Rivera García, on display at Fundación Ismael Rivera. Doña Margot was the mother of Ismael Rivera. A full biography of Doña Margot is available in spanish at: https://prpop.org/biografias/dona-margot/
Clothing of Bomba - "Enagua de Doña Luz"
Bomba Research Conference founder and organizer Melanie Maldonado exhibits some of the petticoats worn by Doña Luz María Rosada Villodas, a bombera from a historic family in Guayama, and talks about the older styles of dress worn in the period being…
Conversation with the Drum
Don Miguel Flores Lopez dancing in the old style of bomba dance from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico in 2013.
Coro
Singers in the group representing Aguada at the 5th Encuentro de Tambores singing the coro, or chorus, of the song being performed.
Tags: bomba, culture, Encuentro de Tambores, folkloric music, heritage, Juncos, music, Puerto Rico, tradition
Cuá
The cuá is an instrument that accompanies the barriles de bomba. The cuá is actually the sticks used to play on either a barrel or chunk of bamboo and helps keep the basic rhythm of the bomba strains.
Cuá
Drummer playing the cuá on the side of a barril de bomba.
Cultural Concert in Highland Park
The Raíces Folkloric Ensemble performs the Puerto Rican folkloric tradition of bomba in a concert dedicated to folkloric music of the Caribbean.
Cultural Exchange: Fundación Ismael Rivera
Raíces co-founder and Archive Curator Nicole Wines with Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera.
Dancing Before the Drum
Bomba dancer dancing before the drum.
Dancing Before the Drum
Don Miguel Flores Lopez and Melanie Maldonado dancing before the drum in the plaza of Juncos, Puerto Rico at the 5th Encuentro de Tambores.
Dancing Before the Drum - Don Miguel Flores Lopez
Don Miguel Flores Lopez was a bomba dancer from Guayama, and was the last dancer to preserve and share the old style bomba dance from his town, having danced bomba for over 75 years.
Dancing Bomba
Demonstrating the bomba tradition, where the dancer's movements are responded to by the lead drummer, who plays the sounds of the dancer's movements.