Browse Items (159 total)

  • Tags: heritage

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The cuá is an instrument that accompanies the barriles de bomba. The cuá is actually the sticks used to play on either a barrel or chunk of bamboo and helps keep the basic rhythm of the bomba strains.

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The Raíces Folkloric Ensemble performs the Puerto Rican folkloric tradition of bomba in a concert dedicated to folkloric music of the Caribbean.

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Raíces co-founder and Archive Curator Nicole Wines with Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera.

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A dance for the dead (or 'muertos'/ancestors). In the Cuban Orisha tradition, homage is paid to the ancestors before any ceremony or celebration begins.

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Don Miguel Flores Lopez and Melanie Maldonado dancing before the drum in the plaza of Juncos, Puerto Rico at the 5th Encuentro de Tambores.

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Don Miguel Flores Lopez was a bomba dancer from Guayama, and was the last dancer to preserve and share the old style bomba dance from his town, having danced bomba for over 75 years.

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Demonstrating the bomba tradition, where the dancer's movements are responded to by the lead drummer, who plays the sounds of the dancer's movements.

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Don Miguel Flores Lopez & Melanie Maldonado dancing old style bomba dance from Guayama, Puerto Rico.

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Doña Marta Amaro Navarro, a member of the "Panel de Testigos Oculares & Descendientes de la Bomba Antigua" at the 5th Bomba Research Conference.

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Young drummer playing the barril de bomba in the summer heat of Juncos, Puerto Rico at the 5th Encuentro de Tambores.

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Drummers playing bomba at the 5th Encuentro de Tambores, completely surrounded by crowds and cameras.

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Eleguá is the keeper of the crossroads, the messenger between the Orishas and Olofín, the trickster. He is often represented by a child and he is the first Orisha praised and honored in the pantheon, after the ancestors.

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Raíces Folkloric Ensemble member Nicole Wines performing an Eleguá dance during the ensemble's presentation of "Tale of Two Waters".

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Eleguá is known as a trickster and his dance represents this quality. Raíces Folkloric Ensemble dancer Nicole Wines interacts with the audience, offering her stick and quickly pulling it away with a laugh.

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Nicole Wines performs a representation of Eleguá at the Elizabeth Public Library with the Raíces Folkloric Ensemble.

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Eugenia "Ivelisse" Rivera, sister of Ismael Rivera and director of Fundación Ismael Rivera, legendary Puerto Rican singer and composer, speaks with guests touring the foundation during the 5th Bomba Research Conference.

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Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera welcomed PROPA and the 5th Bomba Research Conference to the family home, and current museum and historical site dedicated to Ismael Rivera.

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Attendees of the 5th BRC on the trolley provided by the Centro Cultural de Arroyo to tour the historic site of the Lind family plantation, "La Henriqueta".

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Bomba is family! Melanie Maldonado, founder of PROPA and organizer of the Bomba Research Conference with her children at a backyard bombazo held in Carolina, Puerto Rico the first night of the 5th Bomba Research Conference.

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For many cultures, death has always been felt with such finality. There are those, however, that have maintained a reverence and veneration for those that came before them. The Raíces Cultural Center's 2011 production Festival for the Dead: Ancestral…

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The introduction to the production “Festival for the Dead”. The production began with a multimedia sequence projected with live music followed by interviews footage of community members explaining their own connections to the ancestors.

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