Browse Items (159 total)

  • Tags: folkloric music

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Eleguá is known as a trickster and his dance represents this quality. Raíces Folkloric Ensemble dancer Nicole Wines interacts with the audience, offering her stick and quickly pulling it away with a laugh.

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A dance for the dead (or 'muertos'/ancestors). In the Cuban Orisha tradition, homage is paid to the ancestors before any ceremony or celebration begins.

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A member of the group representing Aguada in the 5th Encuentro de Tambores takes time to teach Raíces co-founder and ensemble member Nicole Wines the pattern he plays to accompany the bomba strains. Each town and group has their own variations of…

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Oral history interview with cuatrista José Gabriel Muñoz. Download the full oral history interview transcript here (PDF)

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Raíces Cultural Center co-founder and Archive Curator Nicole Wines at Calle Ismael Rivera (a.k.a. "Calle Calma") on day 1 of the 5th Bomba Research Conference in 2013.

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Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera welcomed PROPA and the 5th Bomba Research Conference to the family home, and current museum and historical site dedicated to Ismael Rivera.

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Raíces co-founder and Archive Curator Nicole Wines with Eugenia Ivelisse Rivera, sister of Ismael Rivera and director of the Fundación Ismael Rivera.

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Excerpt from concert presented by Gabriel Munoz & Melodías Borinqueñas on April 3, 2019 at Rutgers University in New Brunswick, NJ.

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Excerpt from concert presented by Gabriel Munoz & Melodías Borinqueñas on April 3, 2019 at Rutgers University in New Brunswick, NJ. 2/2

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Eleguá is known for his childlike nature, which explains his love for candy and for playing tricks. Raíces Folkloric Ensemble member Nicole Wines hands out candy as Eleguá during the presentation of "Tale of Two Waters".

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The speakers in the "Panel de testigos oculares y descendientes de la bomba antigua" (Panel of eyewitnesses and descendants of historic bomba from the early 20th century) that participated in the 5th Bomba Research Conference ranged in age from 78 -…

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Pepe plays the Panipes, an Andean music staple instrument. What is most spectacular is that Pepe seamlessly plays two pipes at the same time. As you can tell by the audience's reactions they were impressed!

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Pepe Santana explains to the audience the importance of the drum-the heart beat of a song. It helps us to feel the song not only just hear it.

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Pepe Santana sings an Andean song. It was the first time that the audience heard Pepe sing a song in an indigenous language. There was a great silence in the room making it known that the audience was moved by the new and unfamiliar music they were…

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On October 20, 2019, Raíces Cultural Center had the honor of conducting an oral history interview with cuatrista José Gabriel Muñoz. Download a PDF of the full oral history interview transcript here: José Gabriel Muñoz Interview Transcript

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Cuatrista José Gabriel Muñoz demonstrates how the cuatro is interpreted with classical music.An excerpt from Cello Suite No.1 by J.S. Bach interpreted by José Gabriel Muñoz. The Cello Suite was transposed and arranged on the cuatro by Alvin Medina.…

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Participants in the Raícitas Youth Program learn the music, dance, song and history of the Caribbean folkloric traditions. The student is practicing bomba, an Afro-puertorican folkloric tradition. In bomba, the dancer and the drummer converse, with…

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Tickets for Raíces Cultural Center Ensemble’s 2010 Production “Spirit of the Drum: History and Evolution of an Afrocaribbean Tradition” Tickets

EVENT DESCRIPTION
The Spirit of the Drum takes the audience on a musical journey through the history…
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