Browse Items (357 total)

  • Collection: Documenting Living Culture

Pepe Santana plays and sings an Andean song for his audience in an indigenous language.

Professora Amazonas foretelling the closing of the roda through song.

Professora Amazonas sharing and practicing the songs of capoeira with her adult classes.

Professora Amazonas working one-on-one with a young student, preparing to spot him on a handstand.

The dobrão is a thick stone or coin used to play the berimbau. It is used to change the tension on the arame or string, in order to change the pitch and quality of the sound being played. The dobrão can also be called pedra (stone) or moeda (coin).

These are the guitars and other lute family instruments that make up Pepe's strings collection.

A close up of a small selection from Pepe Santana's stringed instrument collection.

A portion of Pepe Santana's collection of stringed instruments from around the world hand in a wall display.

Playing in the roda provides capoeiristas and students of capoeira to practice and apply the skills they learn while training and in classes and workshops, but also provide a hands-on opportunity to learn more. Here is an example of students helping…

Professora Amazonas of Grupo Liberdade de Capoeira teaching her adult capoeira class.

Professora Amazonas instructs the students in her children’s capoeira class before beginning training.

The teepee is not a traditional structure for Ramapough Lenape people, however it was erected symbolically on their ceremonial land when donated to the camp as a temporary structure. As the Ramapough have been kept from constructing a long-house…

The Puerto Rican cuatro is unofficially known as the national instrument of Puerto Rico. It is used to play the traditional jíbaro music of the mountains of Puerto Rico.

The drums are the heartbeat and the pulse that runs through a variety of genres in the African diaspora, including in Afro-Brazilian capoeira.

Third Capoeira Angola International Encounter banner hanging on the wall at FICA in Washington, D.C.

A recurring theme during the classes documented by the Raíces Digital Archive was spending time on task to practice and apply takedowns.

Bombera playing the "barril de bomba" and singing chorus with Segunda Quimbamba.

Pepe takes the time to show us the instruments in his collection. He shared with us the origins of many of his instruments, and even told us stories of how he acquired some of them.

Members of Grupo Liberdade de Capoeira practice specific sequences of movements in one-on-one training
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