Browse Items (385 total)

  • Collection: Cultural Exchange - Puerto Rico Sustainable Disaster Relief

Many storefronts and businesses were closed down or boarded up with for sale and for rent signed throughout the sialdn. This was especially apparent during the Raíces Crew’s drive through Ríio Grande.

Immediately after the storm, residents throughout the island formed volunteer crews and work brigades throughout the island which cleared roads in the post-María relief and recover efforts. These roads were cleared, with the vegetative debris piled…

Pike Electric Trucks, which were seen throughout the island of Puerto Rico by the Raíces Sustainable Disaster Relief Support Crew in January 2018 during our travels through the west and north parts of the island. These trucks bore listen plates from…

Crews of workers clearing piles of vegetative debris left along roadsides after residents, work crews and brigades of volunteers and community members cleared the roads after Hurricanes Irma and María. There remain questions about what was done with…

Trees along the road leaving Loíza up into Carolina and Río Grande that were damaged during Hurricane Loíza. Landscapes, forests and jungles were left bare and brown by the storm and its aftermath. At the time of the Raíces Disaster Relief Support…

Samuel Lind showed the Raíces crew several of with his screenprinted posters, including this one for local bomba group, Majestad Negra.

Paintings, statues, masks and sculptures in Samuel Lind’s home art studio. Every wall, corner and surface of the studio has art and artifacts on display.

Sculpture of a woman and man dancing bombs in front of a painting of a wooden bohío in artist Samuel Lind’s home art studio.

Samuel Lind’s painting “Yuiza”, which is Lind’s interpretation of the legendary female Cacique of the area of modern day Loíza. More on the legend’s of Yuiza can be found on "www.elyunque.com/loiza.htm"

Sculpture of a woman dancing bomba overlooking a working station in artist Samuel Lind’s home art studio in Loíza Aldea.

Artist Samuel Lind displaying a screen printed poster from the annual Fiestas de Santiago Apostol.

Sculpture of a woman dancing bomba overlooking a working station in artist Samuel Lind’s home art studio in Loíza Aldea.

Marco Ayala Lind brought the Raíces crew to the home studio of artist Samuel Lind.

Puerto Rican artist Samuel Lind’s studio has been powered by generator since it lost power in Hurricane Irene. His studio was lucky not to have received much damage in Hurricane María, which was the second hurricane to hit the island in the 2017…

Prototype of Samuel Lind’s Sculpture Osaín. Raíces crew members and students had seen the Osaín sculpture at Bomplenzo 2008 at Hostos College in the Bronx, NY.

Paintings, vejigante masks, and an indoor garden at Samuel Lind’s home studio.

Vejigante painting on display in the home studio of Puerto Rican Artist Samuel Lind.

Destruction in the aftermath of Hurricane María.

These bomba dancer cutouts were some of the cultural materials and artifacts saved and recovered after Hurricane María. Cultural roots and artistic expression were all strengthened on the island of Puerto Rico after Hurricane María. Drums, guitars,…

These materials were all that remained of the structure of the Artesanías Castor Ayala in Loíza, Puerto Rico after Hurricane María destroyed the artisan shop and took the roof of the family home.

Damaged structure in the yard of the Ayala home in Loíza Aldea, Puerto Rico. These cutouts of bomber dancers remained undamaged by the storm. This is the yard where the bombazos take place during the Fiestas de Santiago Apostol each July.

The concrete slab foundation was all that remained of the Artesanía Castor Ayala after Hurricane María. The Artesanía, or artisan shop, was rebuilt in March 2018.

Hurricane María destroyed the Artesanías Castor Ayala, which served as both a cultural museum and preservation site and artisan shop for the Ayala family in Loíza Aldea. When Raíces visited in January 2018, the wood for the rebuilding the the…

Sign for the Artesanías Castor Ayala in January 2018, 4 months after Hurricane María. Culture persists.
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