Browse Items (280 total)

  • Tags: music

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Bomba dancer moving to the sound of the barriles de bomba. When in the circle, before the lead drum, the dancer has the creative power of expression, calling on the drummer to respond to their movements with sound.

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Bomba dancer execuing picoteos, or piquetes, before the lead drum. The motion of the skirts add to the grace, style and movement of the bomba dance.

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Bomba dancers often use their skirts when dancing before the drum to execute the picoteos, or piquetes, that call on the lead drummer to respond to in sound.

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The Raíces Folkloric Ensemble performing the genre of Cuban són at a concert dedicated to the music of the Caribbean at the Reformed Church of Highland Park.

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Jariksa Valle Feliciano sings the lead while playing maraca at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Demonstrating the bomba tradition, where the dancer's movements are responded to by the lead drummer, who plays the sounds of the dancer's movements.

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Bomba dancer executing picoteos, or piquetes, before the primo, or lead drum. The drum responds to each of these movements with sound. This exchange between dancer and drummer is one of the defining characteristics of bomba.

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The Raíces Folkloric Ensemble performs the Puerto Rican folkloric tradition of bomba in a concert dedicated to folkloric music of the Caribbean.

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The Raíces Folkloric Ensemble performing songs for the Orishas on the batá drums at the Reformed Church of Highland Park.

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Members of the Raíces Folkloric Ensemble in 2017 after a performance at the Reformed Church of Highland Park.

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Black Circle Symphony performing at the Reformed Church of Highland Park

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Bomba singers, dancers and drummers representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bomba drummer at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Playing the bomba drums at the 5th Encuentro de Tambores, surrounded by hundreds of participants in the town plaza in Juncos.

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Piquetes, or picoteos, are movements made by the bomba dancer before the drum. These movements challenge the drummer who must respond to the piquetes with the sounds of the drum, matching the pattern being played to the movements made by the dancer.

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Bomba dancer at 5th Encuentro de Tambores dancing before the drum.

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The audience gets a close up of Pepe Santana's pan flutes as he explains the importance of them in Andean Music.

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Pepe Santana wears a chullo hat. This is an iconic hat worn by indigenous peoples of the Andes for thousands of years. The different colors, patterns and weaves are used to differentiate between communities. …

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Pepe Santana plays the Quena flute. It is made of bamboo. It is often associated with "fertility rituals of resurrection and life." The Quena has been recognized as one of the most important wind instruments of Andean Music. It has even been depicted…

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Pepe Santana plays and sings an Andean song for his audience in an indigenous language.

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A close up of Pepe Santana playing the pan flute and drum.
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