Browse Items (357 total)

  • Collection: Documenting Living Culture

Cabaça is a hallowed out gourd used as part of the berimbau to amplify the sound. Sometimes the gourds are painted and decorated, like the one pictured here.

The agogô is a set of bells used in the batería of capoeira and throughout the African diaspora.

Grupo Liberdade de Capoeira practicing the rhythms of capoeira on the agogô, pandeiro, and conga.

The dobrão is a thick stone or coin used to play the berimbau. It is used to change the tension on the arame or string, in order to change the pitch and quality of the sound being played. The dobrão can also be called pedra (stone) or moeda (coin).

João Pequeno, a member of Grupo Liberdade de Capoeira, singing in the batería during one of Professora Amazonas’ classes.

Cavalo, a member of Grupo Liberdade de Capoeira, singing in the batería during one of Professora Amazonas’ classes.

Abelha, a member of Grupo Liberdade de Capoeira, singing in the batería during one of Professora Amazonas’ classes.

The berimbau is an African instrument that leads the batería in capoeira. It is considered a percussion instrument and consists of a wooden bow called verga (made from the wood of the beriba tree), a single metal string called arame, a hollow gourd…

Pandeiro is one of the instruments used in the batería of capoeira. Like the other instruments used in the batería, the pandeiro is also of African origin.

Professora Amazonas sharing and practicing the songs of capoeira with her adult classes.

A pandeiro is a hand-held frame drum used in the music of capoeira and other Brazilian musical genres such as samba, coco, chore and more.

The heartbeat of the music of capoeira revolves around the drums and the berimbau.

Professora Amazonas plays and teaches drum patterns and songs in her adult capoeira class. Here, she is playing a conga drum which is often used to train, teach and demonstrate, but the traditional drum used in the roda is the atabaque, which is…

Members of Grupo Liberdade de Capoeira practice the songs of capoeira.

Cavalo, a member of Grupo Liberdade de Capoeira, plays pandeiro in the batería at Professora Amazonas’ class.

Members of Grupo Liberdade de Capoeira studying and practicing the music, songs, and rhythms of samba.

Professora Amazonas integrates acrobatics into her classes and training sessions, and students have the chance to apply what they learn in the roda at the end of each class.

Students in Professora Amazonas’ children’s class as young as three years old practice all aspects of capoeira, from training to music to songs to playing in the roda.

Cuatrista José Gabriel Muñoz after his oral history interview with the Raíces Digital Archive.

The Puerto Rican cuatro is unofficially known as the national instrument of Puerto Rico. It is used to play the traditional jíbaro music of the mountains of Puerto Rico.

Close up José Gabriel Muñoz’s modern ten-string cuatro while he plays after his oral history interview for the Raíces Digital Archive.

José Gabriel Muñoz gave the Raíces Digital Archive crew a short private concert after his oral history interview.

José Gabriel Muñoz speaking with Raíces Cultural Center director Francisco G. Gómez after his oral history interview with the Raíces Digital Archive Crew
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