Browse Items (64 total)

  • Tags: cultural tradition

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Singers and lead drummers of the bomba group representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico posing for a photograph before they begin to play.

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Singers representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bomba drummers playing with the group representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Drummers and audience at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Drummers playing bomba at the 5th Encuentro de Tambores, completely surrounded by crowds and cameras.

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Drummer playing cuá with the group representing the town of Aguada at the 5th Encuentro de Tambores.

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Drummer playing the primo, or lead drum, which interprets the moves of the dancer in sound.

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Bomba dancer at 5th Encuentro de Tambores dancing before the drum.

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Piquetes, or picoteos, are movements made by the bomba dancer before the drum. These movements challenge the drummer who must respond to the piquetes with the sounds of the drum, matching the pattern being played to the movements made by the dancer.

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Playing the bomba drums at the 5th Encuentro de Tambores, surrounded by hundreds of participants in the town plaza in Juncos.

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Bomba drummer at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bomba singers, dancers and drummers representing the town of Aguada at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bomba dancer executing picoteos, or piquetes, before the primo, or lead drum. The drum responds to each of these movements with sound. This exchange between dancer and drummer is one of the defining characteristics of bomba.

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Jariksa Valle Feliciano sings the lead while playing maraca at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Bomba dancers often use their skirts when dancing before the drum to execute the picoteos, or piquetes, that call on the lead drummer to respond to in sound.

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Bomba dancer execuing picoteos, or piquetes, before the lead drum. The motion of the skirts add to the grace, style and movement of the bomba dance.

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Bomba dancer moving to the sound of the barriles de bomba. When in the circle, before the lead drum, the dancer has the creative power of expression, calling on the drummer to respond to their movements with sound.

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Children are encouraged to participate in bombazos from a young age, from the drum to the dance to the song. This child is playing the cuá which accompanies the barriles de bomba in the rhythms.

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Even outside of the bombazo circle, participants at the 5th Encuentro de Tambores were inspired to dance, sing and celebrate their cultural traditions and heritage.

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Participants of the 5th Encuentro de Tambores playing, dancing and singing bomba surrounded by a crowd of thousands in the town plaza in Juncos, Puerto Rico.

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Bomberas Melanie Maldonado and Kelly Archbold preparing to sing with the delegation from Guayama at the 5th Encuentro de Tambores in Juncos, Puerto Rico.

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Partner dance before the drums featuring Don Miguel Flores Lopez, bomba dancer for over 75 years, and Melanie Maldonado, dancer, singer and researcher. This was a demonstration of an older style of bomba dance from Guayama and was a dance…

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Don Miguel Flores Lopez and Melanie Maldonado dancing before the drum in the plaza of Juncos, Puerto Rico at the 5th Encuentro de Tambores.
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