Browse Items (357 total)

  • Collection: Documenting Living Culture

In Grupo Liberdade de Capoeira, all students learn, study and play the musical instruments featured in the variety of forms taught and practiced in classes and training.

Like capoeira, maculélé is an Afro-Brazilian dance form that disguises combat. Unlike capoeira, maculélé utilizes sticks and machetes in the combat play.

Youth student of Professora Amazonas playing the drum patterns for students practicing the maculélé movements.

Youth student of Professora Amazonas playing the agogô for students practicing maculélé.

Students practice maculélé, an Afro-Brazilian dance form closely related to capoeira in Professora Amazonas’ children’s capoeira class.

Like the capoeira roda, maculélé is played in a circle that includes the dancers/players and the batería or drummers.

Student dancing with plastic machetes, practicing the Afro-Brazilian dance/combat form of maculélé

When training, students playing maculélé break from the circle to practice their dance/combat in pairs.

Students in Professora Amazonas’ children’s class dancing maculélé, an Afro-Brazilian dance form closely related to capoeira.

Students dance maculélé in a circle, using their sticks to keep rhythm along with the drums.

Professora Amazonas instructs the students in her children’s capoeira class before beginning training.

Cavalo, a student of Professora Amazonas, member of Grupo Liberdade de Capoeira and a Capoeira daddy, assists in the children’s class, helping to train youth ages 3-12, including his two children.

Capoeira is a martial art that is disguised as a dance form. Many of the combat movements used are kicks, which students in Professora Amazonas’ academy practice during classes.

Many aspects of capoeira, even combat training, bring joy and happiness to the students.

Professora Amazonas working with a group of students in her children’s class.

Professora Amazonas instructing students in her children’s class during a training session.

Students in Grupo Liberdade de Capoeira training during Professora Amazonas’ children’s class. The students pictured here are siblings. Training as a family is encouraged in Grupo Liberdade de Capoeira.

Student in Professora Amazonas’ children’s class waiting for a kick during a training session.

In Professora Amazonas classes, all students, including the children, study and learn the instruments of capoeira, from the drums to the berimbau, and play during the roda.

Students “play” capoeira in the roda, applying the skills and sequences they learned during their classes and training sessions. Every class ends in a Roda where all participating students have the chance to play in the roda and the batería.

The end of each class in Professora Amazonas’ capoeira academy features a roda, where students play capoeira to practice the sequences and skills they learned throughout the class and trainings sessions.

Students in Grupo Liberdade de Capoeira train and play a combination of dance, combat and acrobatics, and utilize all three when playing in the Roda.

Cuatrista José Gabriel Muñoz demonstrates how the cuatro is interpreted with classical music.An excerpt from Cello Suite No.1 by J.S. Bach interpreted by José Gabriel Muñoz. The Cello Suite was transposed and arranged on the cuatro by Alvin Medina.…

José Gabriel Muñoz speaks about his experiences as a cuatrista.

José Gabriel Muñoz speaking with Raíces Cultural Center director Francisco G. Gómez after his oral history interview with the Raíces Digital Archive Crew
Output Formats

atom, csv, dcmes-xml, json, omeka-xml, rss2