Browse Items (216 total)

  • Tags: Capoeira

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Capoeira Senzala illustrates the evolution of the samba tradition by adding the element of theater and theatrical narrative to their samba performance at the Raíces Roots Music Concert Series in July 2018.

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In Brazil, capoeira was once outlawed, to keep enslaved Africans from training for their liberation. Groups of practitioners added the music to cover the practice of martial arts and training with rhythms and dance. Students of Professora Amazonas…

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Capoeira Senzala shares the Afro-Brazilian tradition of Samba in Highland Park, NJ as part of the Raíces Roots Music Concert Series 2018, adding a dramatic flare as the dance tells a story.

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The process of making cords is similar to the process of making twisted lanyard friendship bracelets, but on a much larger scale. It is always a happy moment when a cord comes out with a perfect twist.

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Capoeira Senzala’s Sapulha Senzala is “stabbed” by Levi Cacique de Ramos Guerrero in a choreographed narrative samba dance dramatizing a fight and stabbing.

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Abelha, a member of Grupo Liberdade de Capoeira, singing in the batería during one of Professora Amazonas’ classes.

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Abelha, a member of Grupo Liberdade de Capoeira, leading the batería during one of Professora Amazonas’ classes.

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Abelha and Rasta, members of Grupo Liberdade de Capoeira, playing in the batería during one of Professora Amazonas’ classes.

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Professora Amazonas integrates acrobatics into her classes and training sessions, and students have the chance to apply what they learn in the roda at the end of each class.

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Members of Capoeira Senzala play the Afro-Brazilian tradition of Maculelê, which falls under the practice of capoeira. These capoeiristas are performing their play fight with sticks which also help keep the rhythm with the drums.

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Samba is another art form within the range of Afro-Brazilian folkloric traditions. Samba rhythms, dance and songs vary throughout different regions of Brazil, as well as the diaspora.

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The agogô is a set of bells used in the batería of capoeira and throughout the African diaspora .

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Many aspects of capoeira, even combat training, bring joy and happiness to the students.

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Every year, months before Grupo Liberdade de Capoeira’s annual batizado, Professora Amazonas starts hand making cords, with help from other members of the group.

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Raíces Director Francisco G. Gómez plays with members of Grupo Liberdade de Capoeira practice the rhythms and songs of the batería before training and playing capoeira.

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Grupo Liberdade participated in the the 53rd Annual Harvest Festival of African Culture Kwanzaa Celebration at the Montclair Public Library. The bateria plays the berimbaus and percussion instruments that provide the rhythm and music for the roda and…

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The agogô is a set of bells used in the batería of capoeira and throughout the African diaspora.

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The berimbau is an African instrument that leads the batería in capoeira. It is considered a percussion instrument and consists of a wooden bow called verga (made from the wood of the beriba tree), a single metal string called arame, a hollow gourd…

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In Grupo Liberdade de Capoeira, all students learn, study and play the musical instruments featured in the variety of forms taught and practiced in classes and training.

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Pandeiro is one of the instruments used in the batería of capoeira. Like the other instruments used in the batería, the pandeiro is also of African origin.

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Members of Grupo Liberdade de Capoeira practice the rhythms and songs of the batería before training and playing capoeira.

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Cavalo, a member of Grupo Liberdade de Capoeira, singing in the batería during one of Professora Amazonas’ classes.

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In Professora Amazonas classes, all students, including the children, study and learn the instruments of capoeira, from the drums to the berimbau, and play during the roda.

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Berimbau, an essential instrument in the capoeira batería.
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