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&#13;
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&#13;
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&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
ABOUT INKHAY&#13;
&#13;
INKHAY is a Quechua verb that means "to tend the fire". The members of the group have chosen this name to symbolize their commitment to keep alive, expose and spread the beautiful music of the Andes mountains of Bolivia, Peru and Ecuador.&#13;
  &#13;
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 &#13;
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&#13;
&#13;
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&#13;
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&#13;
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  &#13;
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&#13;
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&lt;h2&gt;&lt;br /&gt;To view all items in this collection, please click the link below&amp;nbsp;&lt;strong&gt;↓&lt;/strong&gt;&lt;/h2&gt;</text>
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&#13;
Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant provided by New Jersey State Council on the Arts/Department of State.&#13;
&#13;
Additional funds for some of the concerts in this series have been provided by the Borough of Highland Park’s Park Partners Grant Program 2018 in the category of culture and diversity.</text>
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&#13;
Pepe Santana &amp; Grupo INKHAYs performed folkloric music from the Andes mountains, specifically from the countries of Ecuador, Perú and Bolivia at the Reformed Church of Highland Park in, NJ to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
ABOUT INKHAY&#13;
&#13;
INKHAY is a Quechua verb that means "to tend the fire". The members of the group have chosen this name to symbolize their commitment to keep alive, expose and spread the beautiful music of the Andes mountains of Bolivia, Peru and Ecuador.&#13;
  &#13;
The musicians play over two dozen musical instruments. Among the wind instruments, they play a variety of pan-pipes known to the natives as "sikus", "antaras" or "zampoñas". They also play end-nocthed vertical flutes called kenas, transverse flutes, whistles and ocarinas as well as an array of percussion instruments. All these instruments have their roots in pre-Hispanic civilization.&#13;
 &#13;
INKHAY's music, primarily, represents elements of South American indigenous culture when they perform wind and percussion music. They also include European musical elements when they play stringed instruments like the guitar, mandolin and the well known "charango" (a guitar like instrument fashioned of an armadillo shell). Over the past three centuries, harp music, together with other stringed instruments have become an integral part of the " mestizo" traditional music of the Andes. The task of group INKHAY is to interpret the different styles of playing Andean music maintaining the styles of the native communities.&#13;
&#13;
&#13;
INKHAY originated in New York in 1984. Their performances at music festivals, museums, schools and concert halls have created a new source of reference for folk music lovers.&#13;
&#13;
The members of INKHAY, under the direction of Pepe Santana, a native from Ecuador, are: Rothman Teran, César Vele e Iván Vele; all from Ecuador. Each member has been involved with various folk groups, both, here in the United States and in South America.&#13;
&#13;
As part of the concept that INKHAY promotes, native traditional dancers from Bolivia, Peru and Ecuador.&#13;
  &#13;
INKHAY's commitment is to keep alive the fire of their vibrant Andean Traditions.&#13;
&#13;
For more information about the group, call (973) 398-9573</text>
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&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
ABOUT INKHAY&#13;
&#13;
INKHAY is a Quechua verb that means "to tend the fire". The members of the group have chosen this name to symbolize their commitment to keep alive, expose and spread the beautiful music of the Andes mountains of Bolivia, Peru and Ecuador.&#13;
  &#13;
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&#13;
&#13;
INKHAY originated in New York in 1984. Their performances at music festivals, museums, schools and concert halls have created a new source of reference for folk music lovers.&#13;
&#13;
The members of INKHAY, under the direction of Pepe Santana, a native from Ecuador, are: Rothman Teran, César Vele e Iván Vele; all from Ecuador. Each member has been involved with various folk groups, both, here in the United States and in South America.&#13;
&#13;
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  &#13;
INKHAY's commitment is to keep alive the fire of their vibrant Andean Traditions.&#13;
&#13;
For more information about the group, call (973) 398-9573</text>
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&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
ABOUT INKHAY&#13;
&#13;
INKHAY is a Quechua verb that means "to tend the fire". The members of the group have chosen this name to symbolize their commitment to keep alive, expose and spread the beautiful music of the Andes mountains of Bolivia, Peru and Ecuador.&#13;
  &#13;
The musicians play over two dozen musical instruments. Among the wind instruments, they play a variety of pan-pipes known to the natives as "sikus", "antaras" or "zampoñas". They also play end-nocthed vertical flutes called kenas, transverse flutes, whistles and ocarinas as well as an array of percussion instruments. All these instruments have their roots in pre-Hispanic civilization.&#13;
 &#13;
INKHAY's music, primarily, represents elements of South American indigenous culture when they perform wind and percussion music. They also include European musical elements when they play stringed instruments like the guitar, mandolin and the well known "charango" (a guitar like instrument fashioned of an armadillo shell). Over the past three centuries, harp music, together with other stringed instruments have become an integral part of the " mestizo" traditional music of the Andes. The task of group INKHAY is to interpret the different styles of playing Andean music maintaining the styles of the native communities.&#13;
&#13;
&#13;
INKHAY originated in New York in 1984. Their performances at music festivals, museums, schools and concert halls have created a new source of reference for folk music lovers.&#13;
&#13;
The members of INKHAY, under the direction of Pepe Santana, a native from Ecuador, are: Rothman Teran, César Vele e Iván Vele; all from Ecuador. Each member has been involved with various folk groups, both, here in the United States and in South America.&#13;
&#13;
As part of the concept that INKHAY promotes, native traditional dancers from Bolivia, Peru and Ecuador.&#13;
  &#13;
INKHAY's commitment is to keep alive the fire of their vibrant Andean Traditions.&#13;
&#13;
For more information about the group, call (973) 398-9573</text>
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&#13;
Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant provided by New Jersey State Council on the Arts/Department of State.&#13;
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Raíces Roots Music Concert Series 2018.&#13;
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Gabriel Muñoz &amp; Melodías Borinqueñas performed folkloric music from the island of Puerto Rico at the Forum Theatre Cultural Arts Center in Metuchen, NJ to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
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About Gabriel Muñoz &amp; Melodías Borinqueñas &#13;
&#13;
Gabriel Muñoz was born in Puerto Rico in 1976. When he was 2, his family moved to New Jersey, where he grew up and still resides. He was introduced to the cuatro—a traditional Puerto Rican musical instrument similar to the mandolin—at the age of 14. Gabriel fell in love with the instrument’s sound, and asked his father to purchase one for his upcoming birthday. So on his 15th birthday, he received his first cuatro as a gift, which he says changed his life forever. He then began honing his skills on the instrument through constant practice and immersing himself in the cuatro and in Puerto Rican music. He sought advice and wisdom from other cuatro players, including the well known master Alvin Medina, in order to perfect his craft. &#13;
Approximately 6 years ago he co-founded the musical ensemble Melodías Borinqueñas (Melodies from Puerto Rico), who will be performing at this concert. The band features Gabriel Muñoz on cuatro, Anibal Ortiz on guitar, Mariano Medina on congas, Ivan Rodriguez on bongos, Ana Ortiz on güiro, and Cecilia López on vocals. Using these unique sounds, they hope to introduce Puerto Rican folk music to many people around the world, and also to provide a nostalgic experience to Puerto Ricans living away from their homeland.</text>
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http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
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&#13;
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Gabriel Muñoz &amp; Melodías Borinqueñas performed folkloric music from the island of Puerto Rico at the Forum Theatre Cultural Arts Center in Metuchen, NJ to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
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Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
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Gabriel Muñoz was born in Puerto Rico in 1976. When he was 2, his family moved to New Jersey, where he grew up and still resides. He was introduced to the cuatro—a traditional Puerto Rican musical instrument similar to the mandolin—at the age of 14. Gabriel fell in love with the instrument’s sound, and asked his father to purchase one for his upcoming birthday. So on his 15th birthday, he received his first cuatro as a gift, which he says changed his life forever. He then began honing his skills on the instrument through constant practice and immersing himself in the cuatro and in Puerto Rican music. He sought advice and wisdom from other cuatro players, including the well known master Alvin Medina, in order to perfect his craft. &#13;
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&#13;
Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant provided by New Jersey State Council on the Arts/Department of State.&#13;
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Magnolia Street String Band performed American bluegrass music and gave a brief history of the genre at the Reformed Church of Highland Park in, NJ to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
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Magnolia Street String Band Members&#13;
Matthew Backes - Fiddle/Vocals&#13;
Sheila Shukla - Guitar/Vocals  &#13;
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Bobby Baxmeyer - Banjo/Vocals&#13;
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About Magnolia Street String Band &#13;
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Magnolia Street String Band performed American bluegrass music and gave a brief history of the genre at the Reformed Church of Highland Park in, NJ to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
Magnolia Street String Band Members&#13;
Matthew Backes - Mandolin/Vocals&#13;
Sheila Shukla - Guitar/Vocals  &#13;
Paul Prestopino - Dobro&#13;
Bobby Baxmeyer - Banjo/Vocals&#13;
Ron Greenstein - Bass&#13;
&#13;
About Magnolia Street String Band &#13;
&#13;
Magnolia Street String Band started in 2013 as an informal project among some friends, meeting and picking in Highland Park, NJ. Originally there was a cellist. And no banjo. In the summer of 2013, they stumbled into a booking for a local festival gig opening for Tony Trischka. To get ready for the performance, the band invited Paul Prestopino (illustrious backing player for Peter, Paul and Mary, The Chad Mitchell Trio and many others) to join their ranks. A couple months later, they added veteran NYC musician and master of all things stringed, Bobby Baxmeyer. The new members, along with the original core of Matthew Backes and Sheila Shukla, played their first gig in March 2014. Not long thereafter, renowned Philly-area bassist, Ron Greenstein (Lewis Brothers, Skookil Express, Travis Wetzel Trio), joined the group, bringing rock solid, driving rhythm. Since 2014 the band has played dozens of shows each year to ever larger and more appreciative audiences. They have played festival stages, state fairs, radio stations, hootenannies, honkytonks, and more refined events as well. Their music is grounded in traditional bluegrass with some folk, country, and old-time elements mixed in. The band’s sound often features three- (and sometimes four-) part harmonies and thoughtful instrumentals. Overall, their take on bluegrass feels old but relevant, traditional but personal, and well-crafted but soulful and direct. &#13;
&#13;
Follow Magnolia Street String Band at: &#13;
https://www.facebook.com/magnoliastreetstringband/</text>
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&#13;
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&#13;
Raíces Roots Music Concert Series 2018.&#13;
&#13;
Mestre Zumbi &amp; Grupo Senzala de Capoeira presented and shared their knowledge of Afro-Brazilian Capoeira at the Reformed Church of Highland Park in, NJ. The purpose of this concert series was to bridge cultures through the universal language of music and to help raise funds for sustainable grassroots disaster relief and recovery in Puerto Rico.&#13;
&#13;
Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
About Mestre Zumbi&#13;
Mestre Zumbi began training Capoeira at the age of nine in his native home of Rio de Janeiro, Brazil. He has participated in countless workshops, performances and exhibitions the world over. His journey brought him to the United States in 2000 where he has since taught in numerous schools and universities throughout New York and New Jersey. In 2002 Zumbi became the official Capoeira instructor at Princeton University, founding a program that has been met with a great deal of enthusiasm within the university community. Since that time he has continued his work in the states, founding programs in both Manhattan and Newark. &#13;
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About Grupo Senzala de Capoeira&#13;
Founded in 1963 in Rio de Janeiro, and in 1999 on the East Coast of the United States, Senzala is rooted in the history of Capoeira. Principles of community, respect and teamwork are present in all aspects of our work.&#13;
&#13;
Grupo Senzala de Capoeira is one of the world's oldest Capoeira schools. Its origins go back to Rio de Janeiro in the 1960s. Since then, the school’s pedagogy has expanded to many different countries, opening branches throughout the world. The group plays a very important role in the educational process of Capoeira by working with different social and educational institutions such as kindergartens, schools, universities, and community centers in Brazil and around the globe. Grupo Senzala de Capoeira is an immense network that has been inspiring thousands of people from different walks of life for five decades.&#13;
&#13;
&#13;
About the Capoeira Cultural Center&#13;
The Capoeira Cultural Center (CCC) is a 501(c)(3) non-profit partner of Grupo Senzala de Capoeira, founded by Mestre Zumbi in 2002. The mission of the Capoeira Cultural Center is to foster cultural citizenship and community building through arts education. Specifically, our efforts focus on producing high quality, accessible, creative opportunities in the Brazilian art of Capoeira, and in multicultural and multidisciplinary arts. The Capoeira Cultural Center was originally founded to uplift Brazilian culture, and has since grown to unify cultures via a global view. The cultural geography of Brazil and the Americas are inherently diverse and complex. As a result, valorizing cultural diversity &amp; expanding access are central to all of our programs.&#13;
&#13;
Visit Capoeira Senzala's Website:&#13;
https://www.zumbisenzala.org</text>
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Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
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Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
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Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
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Raíces Digital Archive Collection of the Raíces Roots Music Concert Series 2018:&#13;
http://raicesculturalcenter.org/digital-archive/collections/show/16&#13;
&#13;
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                  <text>©Raíces Cultural Center</text>
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                  <text>Highland Park, NJ&lt;br /&gt;Metuchen, NJ&#13;
&lt;h2&gt;&lt;br /&gt;To view all items in this collection, please click the link below&amp;nbsp;&lt;strong&gt;↓&lt;/strong&gt;&lt;/h2&gt;</text>
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                  <text>This collection contains photographs and videos from the 2018 Raíces Roots Music Concert Series performances. The purpose of this program series was to bridge cultures through the universal language of music while supporting a sustainable, resilient and just recovery effort for the island of Puerto Rico. Performers from a variety of cultural folkloric traditions shared their talents and knowledge with audiences in Central NJ. Audiences learned about the traditions, music, dance, instruments and cultural histories of Brazilian Capoeira, American Bluegrass, Puerto Rican Jíbaro Music, and Andean Folkloric Music.&#13;
&#13;
Grant funding has been provided by the Middlesex County Board of Chosen Freeholders through a grant provided by New Jersey State Council on the Arts/Department of State.&#13;
&#13;
Additional funds for some of the concerts in this series have been provided by the Borough of Highland Park’s Park Partners Grant Program 2018 in the category of culture and diversity.</text>
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                <text>Instruments of the Andes - Charango</text>
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cultural arts&#13;
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music</text>
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                <text>Pepe Santana playing the charango.</text>
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                <text>©Raíces Cultural Center</text>
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